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Audacity 2.3.1 on Mac is now a 64-bit application. This means that if you are a user of previous Audacity versions on Mac and had installed the optional FFmpeg library then you must now install the 64-bit versions of the FFmpeg library, otherwise your imports and exports that depend upon FFmpeg will no longer work. Installing the 64-bit FFmpeg library will not overwrite or delete your 32-bit. Download and Install Audacity for Mac This tutorial covers instructions for downloading and installing Audacity 1.2.6 to an Intel‐based Mac since that is the most prevalent Mac in use at the School. If you have a PPC‐ based Mac or are running Mac OS 10.6, please follow directions on the Audacity. See full list on audacityteam.org. Using Audacity 1.2.6 on Mac 1. Using Audacity: Download and Install. ♦ Choose Audacity 1.2.6 version ♦ Click on the download link ♦ Follow instructions ♦ Save the file to a location on your computer ♦ Run the downloaded file ♦ Download LAME mp3 encoder from. Feb 22, 2018 Audacity is a free, easy-to-use and multilingual audio editor and recorder for Windows, Mac OS X, GNU/Linux and other operating systems. Key Features: Record live audio.
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Requirements: Mac OS X 10.1. https://browntime499.weebly.com/blog/mac-miller-macadelic-remastered-zip-download. Not Universal (separate PowerPC and Intel versions).
In the world of sound editing, it’s not hard to drop several hundreddollars on the application alone. Add recording gear, good headphones, ahigh-performance Mac to mix it on, and you’re talking serious coin. Isit really worth all that for Hollywood or New York fame and fortune?(Hahahaha, yes.)
Hobbyists and smaller-budget professionals can save money with Audacity,a free editor from the open source community. It handles multi-trackediting, a variety of audio effects, and exports to many audioformats: MP3, OGG, AIFF, and WAV to name a few.
Installation and Getting Started
Pick your CPU type, PPC or Intel, from the Audacity download page. Copy over the packageto get the application and a set of audio effects. Parallels desktop 11 download for mac. Download the manualif you need an offline reference.
Since you probably aren’t a sound expert, a blank sound canvas may bemore imposing than “thank you” cards to a ten-year-old. Fear not! See theAudacity tutorialsto gain some experience and editing insight.
If you plan to record or import audio for your first project, just openAudacity to start a new project. Remember that each window is amulti-track project, not a single sound file. (You create the actualplayback by exporting to a specific format, like MP3, OGG, or WAV.)
Push the big red record button to pick up a few seconds of any incomingaudio. Each recording creates a new track, so you can quickly get thingsto work with, even if they’re nothing at all.
The sounds of silence.
Making Things Happen
Audacity’s toolbars include basics like cut, paste, and zoom in or out.They also control your input source, show sound meter levels, and switchbetween track selection tools.
Cut-and-paste works the same here as anywhere. Click and drag across asection of audio and copy it. Paste it into the same track or a newtrack as needed.
The Effect menu lists more powerful controls, from the obvious (fade in)to the obscure (Nyquist Prompt). They function like plug-ins inPhotoshop or other editing programs, tweaking this and prodding that.(See the Effects section below for more details.)
Is It Mac Yet?
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Audio editing is a thought-heavy process. You mentally compose on anaudio canvas, working through sound overlaps and effects. An effortlessinterface really helps, lest you bog down in click-this-and-that-and-the-other-thing controldetails. Regrettably, you need to frequently mouse around Audacity’scontrol toolbars, breaking your rhythm. (It could really use a “holdOption to grab-scroll” command!)
The interface doesn’t look like a Mac, probably because of its cross-platform genesis. There are no brushed-steel windows, eleganticon-and-text buttons, or bird’s eye view of the whole track. (SeeATPM’sreview of Fissionfor a more visually pleasing editor.) I look forward to its evolution asa Mac application, not just as a sound editor.
Working With MP3 Files
A big plus: Audacity can import, edit, and export MP3 files. (You needLAME, a free library, to do so.)
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It’s not a lossless editor, unfortunately. Each import and exportrequires de- and re-compression, which degrades the sound. (Theaforementioned Fission handles MP3 losslessly—which does limit theavailable editing functionality somewhat.)
One re-compression doesn’t hurt much, assuming you start with a high-quality file. Several surely will! If you have access to an uncompressedfile like AIFF or WAV, it’s better to edit that and export to MP3 onlywhen you’re done.
Effects
Most editing work needs effects (also known as filters). Look to themwhen you fade in from silence, add an echo, or clean up a cracklyrecording.
Powerful effects can reshape the sound significantly. Audacity includesa bunch at installation, with many listed below. See the links forInternet tutorials or examples. (The Audacity documentation includes afull list of effects.)
- Click Removal: Takes out pops or sharp sound artifacts, such asfrom an old record.
- Low pass filter: Constrain and loosen sound by changing the “size” of thearea it plays in.
- High pass filter: Canisolate highs for de-essing vocals or synthesizing cymbals.
- Fade in/out: Come in from (or drop to) silence.
- Cross fade in/out: Mix across two tracks, one fading out as theother enters.
- DC bias removal:Helps remove noise from a track.
- Delay and Echo: wait, wait, wait, for, for, for, it, it, it.
- Tremelo: Rapid repetition of a sound, like a piano player whoquickly repeats two alternating keys. It can give an accentuatedor atmospheric effect.
- Normalize: Re-levels the audio to a specific target (say, justunder maximum) across the recording to “pump” the sound withoutintroducing distortion.
- Phaser: Addsa pulsing or wavering audio effect, as sometimes heard in guitaror keyboard music.
- FFT Filter: Raises or lowers specific sound frequencies, tohelp eliminate unwanted noise.
Programmers use the Nyquist programming language to create new effects.Audacity provides a list of Nyquist plug-ins and aNyquist prompt to enter your own commands directly.
DJ You
Just using cross-fades and your free time, it’s possible to assemble aseamless music set for your next party or cross-country drive. Audacitymakes a good editing candidate, given its free price and range ofsupported formats. You can do a super-basic party mix from iTunes. Audacitylets you create a more advanced set that outputs to a single file.
See tutorials like The Perfect Mix for a start with computer-based music mixing. You won’t be a clubDJ with Audacity—it’s just about seamlessly moving from one song to thenext (and hopefully on the beat).
Technical Support
As an open source effort, Audacity development and support comes fromcommunity-fed forums and the programmers themselves.
If you have previous editing experience, poke around the program toglean the easy stuff, like creating multiple tracks and applyingeffects. New users should check out the listed tutorials for places to start.
The bargain-minded How to Podcast site includes anAudacity section forpeople with that in mind.
Summary
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Audacity’s range of supported formats makes it a good choice for basicediting. Its price makes the choice even better. You can manage soundinputs and recording levels from the main screen, lean on a no-costdevelopment and support community, and grow into a new hobby orprofession at only the cost of your personal time.
On the down side, the interface doesn’t look or feel like a Mac, and manyother reviews note its limitations for professionals. If you understandsound and how to play with it effectively, the tools won’t move aseasily as grander, more expensive applications. For the rest of us, freeand capable probably fits the bill.
In October 2006, Audacity’s development group published a 1.3.2 betaversion that addsseveral new interface and feature enhancements. It crashes almostconstantly on my Cube, unfortunately. You may find it interesting to tryout—just remember that version 1.2.6’s stability is leaps and boundsbeyond.
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Copyright © 2007 Matthew Glidden, [email protected]. Reviewing inATPM is open to anyone. If you’re interested, write to us [email protected].